3rd Open Competition, January 2025

Our meeting was the 3rd open competition of the 2024/25 season .
John Fare(from Workington Camera Club ) was our judge for the evening. He commented how difficult the judging was due to the high standard of images submitted. Consequently separating the images often rested on looking at minor technical details and all the images scored highly. There were 7 images  awarded the maximum 20 points.
8 images were given “best in category” awards:
Jeremy Malley-Smith for White Tailed Eagle Flying – Awarded Best print and Best Nature .

Robert Given for Tacking – Awarded Best PDI .

Annie Given for Lexi – Awarded PDI Best People .

Ken Rennie for Summer Storm – Awarded Best PDI Landscape .

Julie Walker for On The Beach – Awarded Best creative .

Tony Marsh , Wren With Prey – Awarded Best PDI Nature .

Keith Snell for Xenia- Best Print, People

Ken Rennie for Brampton Sunset – Best PDI Landscape

All the entered images can be seen in our gallery pages:

2024-2025 Competitions

PSA Nature Interclub Competition

In the first round of the Photographic Society of America’s international Nature Interclub Competition, KPS photographers were awarded two Honorable Mentions and a prestigious Merit Award. Six photographers’ images were entered and the club currently sits in third place in the top league (Group A) of this competition.”

2nd Open Competition Dec 2024

Our latest meeting was the 2nd open competition of the 2024/25 season .
John Reed DPAGB ARPS BPE3* was our judge for the evening.
4 images were awarded the maximum 20 points.
5 images were awarded “Best of “:
Simon Roberts – Snowy Fjord’s First Light – Awarded Best Overall image , Best print and Best Nature:

Ronnie Gilbert – Dalmatian Pelicans in Flight Predawn – Awarded Best Pdi:

Robert Given – Layered Defence – Awarded Best People:

Fred Bell – Sundown over Derwentwater – Awarded Best Landscape:

Antony Melling – Sunset Shore – Best creative:

All the images entered can be viewed on our galleries page

2024-2024 Competitions

 

1st Set Subject Competition: “Mobile Phone Photography”

The first set subject competition of this season was for images obtained using mobile phones only. The technical quality of such images has increased greatly over recent years and this was demonstrated by the quality of the photographs submitted by our members. The competition was judged by our chairman, Tony Marsh. He used his “Olympic” system of marking, awarding the images either Bronze, Silver or Gold. There were 39 images submitted, of which 10 attained Gold standard:

Double by Richard Petty:

Inside a 20th Century Mosque by Alan Walker:

Witch’s Tree Aurora by Paul Rathbone:

Orange Tip on Cuckooflower by David Woodthorpe:

Progress by Keith Snell:

Forever Friends by Almar Marta:

Grass Sillhouette by Alan Walker:

Cumbria Aurora by Keith Snell:

Arctic Cathedral by Richard Jakobson and then rightly flipped horizontally by Tony:

Amanati Muscaria by Paul Rathbone:

All the entered images can be viewed in our gallery pages:

2024-2025 Images

Dougie Cunningham: “The Wild Landscape of Scotland”, Nov 27th 2024

Dougie Cunningham, our speaker on 27th November, is an award-winning professional photographer who specializes in landscape photography. He currently lives in the remote north west corner of Scotland and is the author of Photographing Scotland which contains over 800 of his photographs. This is an essential guide to any photographer wishing to capture Scotland’s dramatic scenery.

Dougie came to landscape photography through a love of the outdoors and adventure sports. His enthusiasm for landscape photography was nurtured in the Lake District and after six months spent exploring and photographing the dramatic landscape of Torres del Paine in Chile he put on an exhibition of his work at the Keswick Mountain Festival. As a result of this he was approached by The Great Outdoors Magazine to photograph the Scottish landscape and he has since become a regular contributor to this publication.

Photographing Scotland was a major project that took him all over the country including the Outer Hebrides, Skye, Shetland and Orkney as well as the mainland, and some places that he’d not visited before. He tried to explore beyond the well-known viewpoints and beauty spots and recommends this to others to escape the crowds. In his talk he described some of the magical experiences that he’d had as well as some of the associated difficulties such as carrying cameras and camping gear to mountain summits, camping on uneven ground and suffering numerous breakdowns of his unreliable but much-loved camper van. His book however caters for all levels of fitness and enthusiasm.

In addition to landscape photography Dougie also photographs weddings, events such as music festivals and other commissions around the country. During the Covid pandemic he updated and extended a couple of local walking guides. Dougie also drives the only ambulance in the remote part of Scotland in which he lives. This takes up three days a week but leaves him time to pursue his photography at other times.

We now break for Christmas. Our meetings reconvene on Wednesday 8th January when we will hold our third open competition which will be judged by John Fare from Workington.

Julie Walker

NCPF Annual Awards 2024

The NCPF Annuals Awards Day was held at Clara Vale, Gateshead, on Sunday 17th November. This is the ceremony for the award of trophies to the winning clubs and individuals from the 50 clubs of the Northern Counties Federation. Keswick Photographic Society won all three of the Club trophies, for its images entered into the Monochrome Prints, Colour Prints and Digital Images competitions. Individual trophies were awarded: to Alan Walker for the Best Monochrome Human Portrait

and for the Best Sport Print;

to Julie Walker for the Best Natural History Print

and for the Best Human Portrait Digital Image;

to Ken Rennie for the Best Monochrome Landscape Print;

and to David Price for the Best Colour Human Portrait Print.

Ken Rennie was presented with his trophy by the NCPF President, Gerald Chamberlain.

The other trophies were accepted on behalf of the other awardees by Dr Keith Snell as the Society’s representative at the ceremony.

1st Open Competition October 2024

Our first open competition of the year was held on 23rd October and judged by one of our firm favourites, Richard Speirs from Morton Camera Club. Once again Richard judged our images with a keen eye, excellent advice and no little wit. He expressed his pleasure at having the chance to see a wide variety of superb images. The best lanscape of the night and also best overall image was “Mangersta Sea Stacks” by Ken Rennie:

Best nature image was “Kestrel in Evening Light” by Alan walker:

Best people image was “Australian Relay Change” by Bob Given:

Best creative was “Memories” by Julie Walker:

Best PDI was “Open Mouthed” by Bob Given:

All the entered images can be seen on our gallery page:

2024-2025 Competition Images

 

 

Keith Snell: “Hot & Cold”, Oct 9th 2024

For the latest meeting of Keswick Photographic Society, one of our many well-travelled members, Keith Snell, took us on a journey of contrasts from the snow-covered Lofoten archipelago above the Arctic Circle in Norway to the desert state of New Mexico just above the Tropic of Cancer in the USA.

Keith illustrated how the snowy landscapes of the Lofoten and Senja islands in Norway are often bathed in pastel shades from the early morning sun:

although some of the monochrome images brought a sobering shiver to his presentation. There were some iconic images of fishing villages with their traditional red barns:

as well as striking aurora borealis displays in the winter sky.

Keith is well-known for his exploration of more creative photography styles and there were a few images on show taken using intentional camera movement (ICM).

The creative images came much more to the fore when we moved to the deserts of New Mexico when, instead of ICM images, we were challenged by colourful expressionist landscapes.

These were created from multiple exposure images produced in-camera by manipulations of the camera settings. As Keith explained, this approach was a major reason for visiting northern New Mexico where he was seeking to take inspiration from the pioneering American abstractionist painter Georgia O’Keefe, who had lived and painted in that area for over fifty years. Indeed, he stayed in the very hostelry where O’Keeffe first visited New Mexico and which had also hosted famous landscape photographers like Ansel Adams and Eliot Porter, not to mention DH Lawrence, Aldous Huxley and Carl Jung!

But Keith started his journey in southern New Mexico and visited a national wildlife park that is host to sandhill cranes and snow geese that migrate there every winter from northern America and Canada.

He also visited the otherworldly White Sands national park with its pure white sand dunes derived from the underlying gypsum rock. The area is near to where the first atomic bomb was detonated and has become familiar from the recent Oppenheimer film.

When moving to the rocky outcrops of northern New Mexico, we were reminded that the lands originally belonged to native American ethnic groups and we were shown images of a still-inhabited adobe Pueblo settlement.

The main show though was the geological features of the area with the amazing shapes and colours of the rock formations.

The evening was notable not only for the variety of striking landscapes on show but also by the variety of photographic techniques used to produce the images.

Keith’s enjoyable presentation was well received by our members both in the meeting room and by those attending on zoom.

Members’ Informal Critique Evening, 2nd Oct 2024

Keswick Photographic Society holds a number of formal internal competitions with invited judges, and as a society enters a number of external ones, but last week’s meeting consisted of a very informal session with members looking at each other’s images.

David Leighton: “Winter Road”

Members supplied six images in advance which were then circulated and, on the night, attendees were split up into groups of three to four with another group participating via Zoom only.

Graham Smith: Bluebells and Hawthorn”

The intention was to allow members of all levels of experience to have a discussion about the merits of their images in a less threatening format than in a formal competition with a formal judge.

Marta Almar: “This is home son”

Not only did it provide feedback on the photographs, it gave members the opportunity to look carefully at other people’s images and discuss the good, and not so good, points and to consider why some of the images “worked”.

Tricia Martin: “Essex Skippers”

Although low key and relaxed it turned out to be a thoroughly enjoyable session.

Richard Petty: “Kelvingrove”

In fact there was some difficulty experienced dragging people away from their discussions, first to have their half-time tea and biscuits and finally to wind up and go home!

Antony Melling: “Slow Tide”

 

 

Tony Marsh: “A Naturalist with a Camera”, 25th Sept. 2024

Tony Marsh, our chairman, took the stage on Wednesday 25th September for his talk “A Naturalist with a Camera”, and gave an individual & thoughtful talk illustrated with images taken this year locally as well as on his travels around the UK and on a specialist photography trip to Bulgaria.

Since being introduced to the possibility of seeing the magical contents of the Observer’s Book of Birds in real life as a child, Tony is a life-long nature-lover. He reaches for his binoculars first, and photography is a “bonus” rather than the sole purpose of the trips, but with modern technology it has now moved on from being a technical challenge to not only enabling a record of sightings, but also freezing and magnifying details of the natural world’s beauty which would otherwise not be seen.

He pointed out a variety of these in an entertaining and self-deprecatory style which belied the excellence of the images, many of which, although not taken to impress competition judges, are winners. He showed some unique action including a spectacular sequence of a rabbit chasing a stoat.

His slight dissatisfaction with the outstanding images (although still of wild animals) which he has taken at commercial set-ups with a staged environment and sometimes lighting resonated with the society’s members, often preferring the more natural results showing “how it really is”, with a hard-won but sometimes also half-seen glimpse of an animal shaded by distracting foliage.

Simon Roberts